The image features nine circular clocks mounted within a roughly square frame with chipped white paint and a teal background exhibiting significant rust and discoloration. Each clock face is cream colored with Roman numerals and black hands pointing to different times, while the frames are metallic and show signs of age and wear. Strong directional light casts shadows from the clocks onto the surface, creating depth and emphasizing the textured surfaces of both the clocks and the frame.

Stopped Clocks

Stopped watches filled a chipped glass case, each frozen hand marking a different hour under the street’s pale light. Dust motes danced in the beams illuminating these individual halts of time, their ochre glow highlighting the intricate layers within each mechanism. Each watch wasn't signaling an absence, but holding a specific weight—a past intention settling into the present form. The collection felt less like broken objects and more like echoes accumulating along the edges of where moments once were, finally resting in quiet stillness.

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